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The
project The Times of a Place brings together work by a number of
artists exploring questions of time, various temporalities that share
the common denominator of being developed in the natural environment.
The Times of a Place can be understood as the conjugation of a
landscape. It enables the transition of the term “landscape” from its
nominal condition to a verbal condition; it allows it to shift from a
noun to a verb, as W.J.T. Mitchell advocated.
The pieces comprising this exhibition take their references from
“landscapes” which are ultimately developed and shown as “places”, with
“place” understood as a much broader and more ambivalent concept. In
turn, place becomes a much more dense, rounded and complex term given
that it incorporates the factor of time. Places become time capsules
where events accumulate, layered like strata, and where the gaze
activates the possible pasts of these places. The place dynamises the
possible political meanings of a specific landscape, through the time
its condenses.
At the same time, another of the elements shared by the works in this
project is the fact that they are all based on temporal media, made on
video or film. In the 1960s and 70s, the natural environment was
recovered as a cinematographic motif by artists who were exploring new
syntaxes and possibilities for the medium, and indeed it is again being
recovered by contemporary artists. For all of them, the natural
surroundings and the exploration of places enable an investigation into
the non-narrative potential of the moving image and in turn to further
explore and underscore the temporal parameter of this image. Film is
capable of dynamising the landscape: it goes from being a static
representation, as painting and photography had historically conceived
it, to showing the natural environment in motion, thus achieving a
closer approximation to the subjective and individual perception of the
landscape.
Participating artists: Robert Smithson, Stan
Brakhage, Chris Welsby, James Benning, Tacita Dean, Patricia Dauder,
Darren Almond, Beryl Korot and Melik Ohanian.
Neus
Miró. Exhibition curator.
More information
Source: texts, CDAN ; on the right,
stills from the work Creation (1979), by Stan Brakhage.
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